Skip to main content

Maus - Quote

It was difficult to find "substantial quotes" in the story of Maus because it is a graphic novel and there are not long quotes, but I found one that struck me in the context of the story. On page 56, several of the mice have been taken to a prison and are in despair of the conditions. They are treated terribly, even compared to the other prisoners, and they want nothing more than to get out. There is a sign that appears asking for workers for labor assignments, and the artist's father, the main character of the story, argues with his cellmates about volunteering. His quote is "I'm not going to die and I won't die here! I want to be treated like a human being!"
The quote is startling for several reasons. First, in the context of the situation, in the middle of the Holocaust where so many human beings were not treated humanely, there is this expression of outrage at being mistreated. I think that, after a time, such a desire is taken away - especially for those in the concentration camps who are merely grateful to be alive. This is also expressed in the beginning of the quote, as the character's insistence that he is going to survive. Later in the book, all of the characters take on a dark humor that belies their despair at making it out alive. Vladek, the father, views everything with a fatalistic sense of humor. He survived several ghettos, prisons, and Auschwitz, and after that it appears that his innocent desire for life falls to the side. The only thing that kept him alive for years was the love of his wife - and after that, the love of his son.

Comments

Popular posts from this blog

Chapter 4 - Researcher

For this chapter, I chose to do some research on celadon, to better understand how it fit historically into Korean and Chinese market systems. It appears that, true to the novel, Korean celadon was prized in Imperial China as much as Chinese celadon. The techniques really were different enough to justify specifying where the pottery comes from. It turns out that a specific province of Korea was famous for inventing a technique that was not known in China, and therefore made these pieces of pottery highly valuable to Chinese royals. There is more information on the Metropolitan Museum of Art's website . I also researched Korean expressions of respect, which were slightly discussed in this chapter and throughout the book, and many of those mentioned are still in practice to this day. For example, bowing is still a common form of respect, though shaking hands has also become more popular with the proliferation of Western culture. Eye contact between an inferior and superior is consi...

Chapter 6 - Connector

I made two connections to this chapter that were meaningful to me personally.  In the book, Tree Ear praises Min's work highly in his mind, and notes that Min's pieces seem to be alive, as if they would leap off the market stand. This reminds me of the potter in Ella Enchanted, a gnome named Agulen who makes pottery that is so lifelike as to appear alive.  The other connection I made was to Greek pottery - I took a Classical Art and Architecture class in undergraduate, and the Greeks had a technique for making poetry that was either red-figures on a black background or black figures on a red background. There was a specific way to get either style, but it made a similar effect to Kang's pottery with the black and red inlay work. The Greeks also did inlay work on a variety of their artwork - pottery, metals, jewelry, and many other things.  I think it is fascinating that artwork in far-removed places might turn out to have similarities. The Koreans and the Greeks had li...