I made two connections to this chapter that were meaningful to me personally.
In the book, Tree Ear praises Min's work highly in his mind, and notes that Min's pieces seem to be alive, as if they would leap off the market stand. This reminds me of the potter in Ella Enchanted, a gnome named Agulen who makes pottery that is so lifelike as to appear alive.
The other connection I made was to Greek pottery - I took a Classical Art and Architecture class in undergraduate, and the Greeks had a technique for making poetry that was either red-figures on a black background or black figures on a red background. There was a specific way to get either style, but it made a similar effect to Kang's pottery with the black and red inlay work. The Greeks also did inlay work on a variety of their artwork - pottery, metals, jewelry, and many other things.
I think it is fascinating that artwork in far-removed places might turn out to have similarities. The Koreans and the Greeks had little to no interaction, and yet they came up with similar styles of art.
In the book, Tree Ear praises Min's work highly in his mind, and notes that Min's pieces seem to be alive, as if they would leap off the market stand. This reminds me of the potter in Ella Enchanted, a gnome named Agulen who makes pottery that is so lifelike as to appear alive.
The other connection I made was to Greek pottery - I took a Classical Art and Architecture class in undergraduate, and the Greeks had a technique for making poetry that was either red-figures on a black background or black figures on a red background. There was a specific way to get either style, but it made a similar effect to Kang's pottery with the black and red inlay work. The Greeks also did inlay work on a variety of their artwork - pottery, metals, jewelry, and many other things.
I think it is fascinating that artwork in far-removed places might turn out to have similarities. The Koreans and the Greeks had little to no interaction, and yet they came up with similar styles of art.
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